From Fondation Beyeler, Switzerland:
In his boudoir pictures Degas concentrated on the everyday, intimate gestures of women at their toilette. The pastel Breakfast after the Bath does not show Venus emerging from the sea on a shell, but an anonymous female figure seen from the rear as she climbs out of the bathtub. Just as the Impressionists found new ways of perceiving and depicting landscape, Degas shows the female figure from a new perspective. He captures the ephemeral moment in his use of colour, while his solid compositional structure ensures that the moment does not pass all too swiftly, but endures – to this very day.